Roger Philippon, a Lewiston native and retired dean of Planning and Public Affairs at Central Maine Community College, is making his professional acting debut as an understudy in the Maine State Music Theatre's production of '1776'. This Tony Award-winning musical brings to life the Second Continental Congress in 1776, where delegates from the 13 colonies gathered to debate and sign the Declaration of Independence. Philippon has memorized the parts of five characters present during this pivotal moment in American history: Caesar Rodney, James Wilson, Stephen Hopkins, the Rev. John Witherspoon, and congressional secretary Charles Thomson.
What makes this story particularly fascinating is the unique role Philippon has taken on. Normally, understudies in musicals are cast members who also play minor roles, but this production has three external understudies, including Philippon, who are not assigned to any specific roles but are ready to step in if a cast member falls ill. This arrangement is especially challenging for '1776' because almost all characters are on stage for most of the production, making it difficult for another actor to cover for a missing cast member.
In my opinion, Philippon's dedication and expertise in this production are remarkable. With his extensive acting background, honed over more than 30 productions at the Community Little Theatre in Auburn, and his deep familiarity with '1776', he is uniquely qualified for this role. His ability to confidently cover five different roles, each with its own demands and nuances, is a testament to his skill and passion for acting. Personally, I find it inspiring that someone of his age and experience is taking on such a demanding role, especially in a professional setting.
The production's artistic director, Curt Dale Clark, also praised Philippon's contribution. Clark noted that Philippon's prior experience in '1776' at the Community Little Theatre made him an ideal candidate for the understudy role. He highlighted Philippon's confidence and knowledge of the show, which allowed him to step in and perform multiple roles with ease. Clark's perspective emphasizes the importance of having experienced performers like Philippon on standby, ensuring the show can go on even if a cast member is unable to perform.
Despite the challenge of memorizing lines and the intimidating nature of the role, Philippon has embraced the experience. He has been attending numerous rehearsals, taking extensive blocking notes, and has been treated as a cast member in every respect. This includes being fitted for costumes and having his own makeup table. Philippon's positive attitude and the supportive environment at Maine State Music Theatre have made the experience a rewarding one, even though he may not ultimately appear on stage.
In conclusion, Roger Philippon's journey as an understudy in '1776' showcases the dedication and versatility of actors in the theatre world. His ability to step into multiple roles and his positive attitude towards the challenge highlight the importance of understudies in ensuring the smooth running of a production. This story serves as a reminder that behind every successful show is a team of dedicated individuals, each playing a crucial role in bringing the performance to life.
